Why Do Dancers Have to Prove Ourselves “Smart”?

Last weekend I saw a performance called Tropical Escape—a duet between Csaba Molnár and Márcio Canabarro studying “queer eroticism, escapism as resistance, and the labor involved in the pursuit of pleasure, fantasy and freedom.“ Presented by Abrons Arts Center, Tropical Escape overwhelms the intimate space of the Underground Theater with Molnár and Canabarro’s spectacularly camp […]

Jerron Herman’s Relative: Utopic and Dangerous Feelings

Jerron Herman’s Relative can be perceived all at once as a solo danced by the choreographer himself, as a duo collaboration with soundscape and DJ performance by Kevin Gotkin, and as a collective clubbing experience for everyone and everything in the theater space. This ambiguous treading in-between the personal, the interpersonal, and the collective can be felt […]

Rethinking Transracialism: Ariana Grande and Racial Ambiguity

This article revisits, revises, and expands on the arguments I make in Blackface and Pop Princesses: A Brief Genealogy. Previously, I wrote three brief paragraphs on Ariana Grande, trying to position her donning of black and brown visuality (i.e. blackface/brownface) alongside similar practices of other pop princesses such as Britney Spears, Christina Aguilera, and Miley Cyrus. […]

WE ALMOST FORGOT

November 2015. Paris. Adventure. We Almost Forgot. French. Malagasy roots. Doubts. Anger. Question. Artist’s life. Projects. French. Unfairness. Anger. Fear. Security. Calm. Artist’s life. Malagasy. Words. Mix. Why. Doubts. Anger. Artist’s life.   I joined the adventure We Almost Forgot (WAF) [1] in November 2015, in Paris. It was a time of heavy doubt and anger. […]