Jerron Herman’s Relative: Utopic and Dangerous Feelings

Jerron Herman’s Relative can be perceived all at once as a solo danced by the choreographer himself, as a duo collaboration with soundscape and DJ performance by Kevin Gotkin, and as a collective clubbing experience for everyone and everything in the theater space. This ambiguous treading in-between the personal, the interpersonal, and the collective can be felt […]

On Whiteness and Abstraction: Anh Vo with Juliana F. May

Juliana F. May creates dances that interrogate the relationship between trauma and abstraction, or broadly speaking, between content and form. Her experimentation with structural dissonance often pushes narrative to the point where language falls apart, where meaning emerges not as the result of formulaic dramatic logics, but as tactile texture and visceral feeling.  When I […]

WE ALMOST FORGOT

November 2015. Paris. Adventure. We Almost Forgot. French. Malagasy roots. Doubts. Anger. Question. Artist’s life. Projects. French. Unfairness. Anger. Fear. Security. Calm. Artist’s life. Malagasy. Words. Mix. Why. Doubts. Anger. Artist’s life.   I joined the adventure We Almost Forgot (WAF) [1] in November 2015, in Paris. It was a time of heavy doubt and anger. […]

Black Success, Black Joy, and Black Excellence Within the Theatrical Architecture of Whiteness – jumatatu m. poe & Donte Beacham: Let ‘im Move You… (2018)

Let ‘im Move You is a series of choreographic works initiated in 2010 by jumatatu m. poe, Donete Beacham, and LaKendrick Davis. Currently spawning three pieces – A Study, This Is A Success, and Intervention – Let ‘im Move You researches into J-Sette performance, using its movement and its formal structure as a launchpad to investigate the intersection of blackness and […]