The Colonizer as Decolonizer// The Colonized as the decolonized: Jérôme Bel on choreographing as an act of resistance in the nineties.

This excellent post is written by one of my friends Emily Barasch. This is the first time I experiment with guest-blogging, and with my role as an editor because after I was first approached by Emily, it felt important to expand my singular perspective on this blog as Cult Plastic gains momentum. If you are […]

Anh Vo – Interbeing (2016)

Interbeing (2016) is my first evening-length work, which was presented by Production Workshop at Brown University last December. It is a piece built on eight dancers and non-dancers alike which is developed intensively over a long period of time, marking the first time that I truly immerse in a creative process. Interbeing: The suggested replacement word […]

Vision: A tool for Colonization of Dance?

I have been having this conversation about the relationship between vision, (concert) dance and colonization quite a few times over the past week or so, in the context of the West African dance class at Brown, of which I am currently a Teaching Assistant. Admittedly, this is not an easy conversation, because it demands me […]